Quilt Market 2016, update #2…

Here are a few more quilts from the show. I only took photos where permitted. The quilts below are followed by the information from the artists.

The landscape quilts below were hanging in the judged show.

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After the Storm by Ruth Powers

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Summer Storm by Peg Collins

Summer Storm by Peg Collins

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The following quilt was on the cover of the Quilt Market guide. It was stunning.

Rosita by Cecilia Koppmann

Rosita by Cecilia Koppmann

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Detail of Rosita by Cecilia Koppmann

Detail of Rosita by Cecilia Koppmann

Detail of Rosita by Cecilia Koppmann

Detail of Rosita by Cecilia Koppmann

The next quilt was hanging in an exhibit of Dear Jane quilts. It just made me happy!

Sea of Color, Field of Flowers by Wanda Cracknell

Sea of Color, Field of Flowers by Wanda Cracknell

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Detail of Sea of Color, Field of Flowers by Wanda Cracknell

Detail of Sea of Color, Field of Flowers by Wanda Cracknell

Kauai Road, update…

In between life’s busy-ness, I squeezed in some sewing time on my Kauai Road quilt. Steve says that it looks just like the place which makes me very happy.

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I am sewing the power lines now. The fence posts (that will be in the lower left) are still to come, and maybe some dark windows on the little house.

I leave for Quilt Market in Houston tomorrow. I don’t have time to stay for Festival, but that’s OK because I hope to fire up my BERNINA Q20 when I get home!

Why didn’t I think of that!?

HexieGardenCover

The Hexie Garden Quilt pattern is made up of hexagonal blocks. Each block is made up of 6 wedges. You don’t want to cut the backgrounds into wedges until the applique is complete because of the bias edges. In the pattern, I tell you to cut a rectangle for each background. I did that for two reasons:

  1. In many of the blocks, I was matching stripes and other lines.
  2. I liked working on that size of background.

Char Kirscht has been working on her Hexie Quilt Garden quilt and she wrote to tell me that she handled her backgrounds in a different way. She cut strips 10″ x width of fabric (40″ or so). Then she drew 60° angles to simulate where where the blocks will be cut apart after they are appliqued. You could use either a 60° ruler or the block template to get the lines.

BlockOnAStrip-CharKirscht

Please note that some fabrics may not be 40″ wide, especially after washing and drying.

I would still mark the vertical and horizontal centers of each block to match the overlay to during applique. You might be tempted to just use the 60° block outlines but if you do that, be very careful not to let the flowers shift or tilt.

Once the applique is done you can press the strip and cut the blocks apart and follow the remaining cutting directions in the pattern.

If you aren’t matching patterns or stripes in the background fabric, and if you like work on a long, narrow background, this is a good option. If I’d have thought of it, I’d have included it in the book. Thank you, Char, for making this very fine suggestion!

 

Ferris wheels…

I do like round things, including Ferris wheels. It was easy to see the structure of this one at the State Fair in Boise when it was lit by the sunlight.

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When the sun went down and the lights came on, the Ferris wheel was lovely.

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We walked past it several times and each time I took pictures.

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A Stars in the Garden raffle quilt…

The Valley Heritage Quilt Guild in King City, California is selling donation tickets for this “Stars in the Garden” quilt to raise money for programs, workshops and comfort quilts.

2017 Opportunity VHQG

The quilt measures 86″ x 86″. Holly Casey, who made this lovely quilt, used a different, and unique, border than the one I used in the pattern. I like this a lot!

For more information, contact Holly Casey 45335 Vista Place, King City, CA 93930.

Kauai Road, off the wall…

Here it is, with the fabric cut and the overlay in place. The power lines are an important part of the design that will be added nearly at the end of the stitching.

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I’m going to sew all the shapes together by hand, mostly in an applique-ish sort of say. I took off all of the shapes that sit on top of the ‘background’.

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Next, I took it off of my design wall and almost had a disaster. Each shape had multiple pins sticking directly into the wall. I held the bottom of the muslin base layer and slowly pulled the whole thing off the wall. I’ve done this before and the pins held everything in place. This time, some pieces fell off or shifted. It happened so fast I couldn’t even swear at it :-).

I managed to get it on my dining room table, with all of the pieces back where I think they went. That took a little while. Next time I’ll pin much more securely before I take it off the wall.

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You might be wondering why I didn’t just glue the shapes in place. I don’t like glue, that’s why. I may change my mind at some point but for now, no glue for me.

Basting took a while but that’s OK. This project is not about speed, it’s more of a journey.

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Hand sewing this is going to take a while. I’ll post updates as it comes along.