Lessons from an antique quilt…

I’m in NYC and just visited the Folk Art Museum where a wide variety of old and new quilts are on display. Loved seeing Paula Nadelstern‘s kaleidoscope quilt in the exhibit… I wanted to tell those around me that I know her and how wonderful she is, but I just smiled and kept that inside because it is a museum, after all 🤣.

I spent time with this quilt top by an unknown maker. I love both the structure and the freedom of the design. Notice the way the applique fills most blocks, going right up to the seam lines. There isn’t sashing and there doesn’t need to be. And the leaves and stems are cut from only two fabrics. I wonder if she ran out of one green and had to switch in the middle of making the quilt?

The applique stitches are invisible but if it were judged today, some might find faults…

It is subtle, but you can see the vines and leaves shadowing through the white flowers, outer points on the ostriches are blunt. I like that the hand of the maker can be felt and I think she was enjoying her stitching. 

Hanging next to the quilt were some of the original templates which I find to be illuminating.

First, she drew on printed paper that was probably not stiff. She did not require “special” paper. I will say right here that I am happy that I can use heavier paper and I like that I can cover it with peel and stick laminate 🤣.

Second, it looks like she she drew at least some of the shapes by hand and then cut them out. Notice how she adjusted the outer edges to make the shape easier to sew.

The beak is blunt on purpose and the funky toes on the feet of the ostrich are the way she intended them to be. Now look at the block again.

So what are the lessons this quilt teaches?

  • One big lesson to be learned here is that we are way too judgmental of our own stitching.
  • We might be too judgy when it comes to other peoples’ stitching as well.
  • I am reminded once again there can be a lot of freedom in a design that has a tight structure.
  • While I love working with lots and lots of different fabrics, it’s good to be reminded that you can do a lot with just a few.

I hope you enjoy this quilt as much as I do. Happy stitching!

A quick explanation of my Photo to Fabric class…

I wrote a post explaining the process for C&T and it is one click away :-). Click here to read it or use the following URL:

https://www.ctpub.com/blog/photo-to-fabric-with-becky-goldsmith/

Enjoy!

How much is too much?

I machine quilted together two vintage tops to make one quilt. The trip around the world side (below) is very nice. The pattern is easy to read… it’s happy!

The quilt top I put on the back has alternating 3″ squares and 9-patches made from 1″ squares. There isn’t an underlying theme or color palette on this side. It is mostly prints, plaids, and stripes that are individually wonderful, but together are a hot mess. Your eyes have nothing to focus on.

Look at the two, together…

Your eye can rest and explore the trip around the world. There isn’t any resting when you look at the 9-patches. And more to the point, there isn’t any real pattern.

Generally speaking, when we go to the effort to cut fabric apart and sew it back together, we do so for a reason. I wonder if the maker of the 9-patch just wanted to sew and had no other plan… because that’s what it looks like. And I absolutely understand that because I have done that myself with equally questionable results 🤣.

But that doesn’t mean you can’t successfully test the boundary between pattern and chaos. I wrote about the quilt below, Carnival, made by Joan Goetteman and Audree Sells, in this blog post. It was my Judge’s Choice at the Chaska Fall Splendor Quilt Show in 2022.

Yes, there is chaos, but it is not total chaos. There is just enough pattern to keep your eye happily busy. You may not be drawn to this level of visual activity, but I still love this quilt.

If you are interested in making this sort of quilt, go for it! Here are a few tips:

  • When you find a quilt that embraces this sort of chaos, study it a bit to see what does and does not resonate with you.
  • Consider how to create some sort of recognizable arrangement/pattern.
  • Group colors in a way that enhances the plan you have in mind.
  • Play small and large prints off of each other.
  • Use a design wall!!!!

Happy stitching!

Show and tell, Birds in Toyland…

Amy Fisher sent in this photo of her newly finished Birds in Toyland quilt. I love that she embraced the applique, embellishing, and hand quilting to make a wonderful quilt that she and her family are sure to treasure. Read more below…

Of course, life happened… but I finally finished my quilt on Monday. I enjoyed the entire process. I’m not the best hand quilter, but I got better by the end.  I had never done well at appliqué, but I got better the more I did. I absolutely loved figuring out how I wanted to embellish each piece. And I loved the embroidery part. I used a turkey stitch on many of the hats. But I would never do the lettering the same again…even though I like how it turned out: all those French knots and beads! Took forever!

Thank you so much for all of your videos, all of your clear explanations. Your friendly personality is what simply makes it all special.

Amy Fisher

Thank you, Amy, for sharing your quilt and the story with us! If you are interested in the book, click here. Click here for the online class on Creative Spark.

Show and tell…

Jill Isakson sent these photos and the story about this lovely ribbon-winning quilt made by her, Linda Neal, and quilted by Richard Larson The oak leaf border is from my pattern, The Anniversary Quilt. which is in our ebook, Flowering Favorites.

My Lucky Stars, whose applique border is based on your design from the Anniversary Quilt has received a 3rd place award at AQS Quilt Show in Paducah, KY. I did the fabric selection, overall design and piecing, Linda Neal appliquéd our adaptation of your border design, and Richard Larson did the fabulous quilting. Thank you for your inspiration and beautiful border design. It truly is the icing on the cake.  

Regards – Jill Isakson

Well done Jill, Linda, and Richard and thank you for sharing your exciting quilt with us all!

Show and tell…

Jean Moore sent this photo of her very cute quilt top and said…

Not sure how many years these flower squares waited for attention. Here they are!

Jean, I can help with a date! The blocks are from our pattern, Garden Blooms, that was first published in American Patchwork & Quilting in 2008. It has never been in a book but you can find it here.

Thank you, Jean, for sharing your very happy quilt with us! I look forward to seeing when you get it quilted :-).