I came home with fabric!

Now, isn’t that a sentence that makes a quilter smile? The Northern Star Quilters put on a very nice show. The quilts were impressive—and so were the vendors :-). I bought fabric that I don’t usually find—but not too much because space in my suitcase was limited.

I stopped at Quilters’ Express to Japan where I bought the print on the right. The print on the left was a gift from students in my class at Empty Spools that I’ve been meaning to post for weeks. Both were designed by Yoshiko Jinzenji for Yuwa.

YoshikoJinzenji-1

I love her fabric and was sad to learn that she may not be designing any more. So, if you like her fabric, I suggest you hunt it down and buy it now. I also bought this kimono fabric—some vintage, some not. And a really cool Japanese panel print not pictured.

QuiltersExpress-JapaneseFab-1

I stopped at Handloom Batik. The owner, Oosha (whose name I may be misspelling) remembered me from years back—and she remembered that I bought a mustard-colored gauze scarf. I admit to being seriously impressed.

HandloomBatik-1

These fabrics are all hand stamped (or woven in the case of that central blue fabric). They have an attitude that is both casual and stately. I love them. (FYI: all of the fabrics pictured in this post have been washed in the washer and dried in the dryer.)

I bought another gauzy scarf. It is big, more like a sari. In fact, it could be a sari. I admit to not knowing. My new scarf is blue with accents of red and white. The fabric is light but also warm. Oosha says she uses one at home as a light cover when she’s chilly in her chair.

Batik

As Oosha was (carefully) folding my scarf, she realized that she had not ‘cleaned’ it. Women tie the fabric with fine thread to make that dotted pattern, before it is dyed. There are hundreds of thread wraps on each scarf. Oosha said that the women do this work while gossiping, thus making it both a productive and fun time.

ThreadBalls

She was going to take the time to pull the threads off for me but I said, no, I’d be happy to do that myself. In fact, I did enjoy it! It was sort of like peeling a sunburn, except that I wear sunscreen so haven’t had that sensation in years. (Funny to imagine that the day may come when people have no idea what that phrase means.)

You have to find Oosha at a quilt show and I hope you do find her. Handloom Batiks is not currently online.

None of these were bargain fabrics. I’m as happy as the next quilter to find a bargain but I’m also willing to pay the price for unusual, interesting fabric. I don’t want to encourage crazy spending, but it is true that I have never regretted this sort of purchase.

Show and tell…

Jan McPike from Brisbane, Australia, sent me this photo of her beautiful quilt. She says:

I have always loved the Piece O’ Cake designs, so when my quilt guild announced a blue & white challenge for this year’s quilt show I thought I would take part.  I have made a blue & white version of Aunt Millie’s Garden. It is done in the quilt-as-you-go method and machine quilted by me.

Aunt Millie's Garden made by Jan McPike

Aunt Millie’s Garden made by Jan McPike

It takes discipline to work in only one color but aren’t the results specatcular! Very nicely done, Jan. Thank you for sharing your quilt with us!

It’s all about the book…

I made a video about the Color book a little while back and then promptly forgot to post it. I need another me to keep up with social media :-). At any rate, here it is! Let me know what you think.

TAS (the applique society)…

I flew to Seattle on Monday for two lovely days of teaching for The Applique Society’s retreat at Seabeck. This was their 10th retreat and it was great fun. The retreat space is both rustic and modern (there’s wifi, but no TV :-)) surrounded by beautiful grounds. We could see water—Hood Canal—and (when the clouds cleared) the Olympic Mountain.

There were about 50 enthusiastic quilters and two teachers. Half the group were with me one day, the other half the next. After two days of class, they had one more day of just fun without any classes. To me, that sounds like an excellent retreat.

These ladies come from all over the Pacific NW and they have formed good friendships. If you are an appliquer in this part of the world, you ought to search them out!

I wish I had taken pictures but I tend to live in the moment when I am working/teaching and mostly forget to grab the camera. Instead I’m adding this picture that I almost could have taken there, except that I didn’t.

PineCone-FallingApart

Big news from TQS…

In honor of International Quilting Weekend, March 20-22, 2015, The Quilt Show (www.thequiltshow.com), the web TV show hosted by Alex Anderson and Ricky Tims, will open all of its shows from the first nine series—shows 100-1513—for the entire weekend. I’m telling you today so that you can reserve time this weekend.

For three special days, everyone will have the chance to view over 200 shows, featuring some of the quilting world’s leading artists, for FREE. See—that’s big news!

This year’s sponsors are contributing over $5000 in prizes, including the Grand Prize, a BERNINA 550 QE.  Other prizes you have a chance to win are:

  • Innova – Have your quilt professionally quilted ($500 value)
  • Superior Threads – five $100 gift certificates
  • RJR Fabrics – a Delicious Selection of RJR Fabrics
  • AccuQuilt – GO! Big Electric Fabric Cutter
  • Missouri Star Quilt Company – $500 in Quilter’s Cash plus signed copies of Volume 1 of Block Magazine and Man Sewing Swag
The Quilt Show_Season_6

Here I am with Alex and Ricky.

As you may already know, I appeared as the featured artist on TQS in show 611. If you didn’t have the opportunity to see this show the first time around, now you’ll have the chance to see it—and so many other terrific shows—at no cost in this unprecedented three-day offer.

I hope that you’ll share this information with all of your quilting friends. It’s a fantastic opportunity to enjoy three days of learning and fun without leaving your home…all for free.

Enjoy the shows, and thanks for helping to spread the word!

Click here to go to the TQS website landing page.

Put your light in the right spot…

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This is what happens if your light is way over there on the table and you are sitting too far from it. ‘Growing toward the light’ happens especially to hand sewers/appliquers. It is very hard on your back and shoulders.

Place your light in position so that you can sit up straight and see what you are doing, both at the same time. This probably means that you need an adjustable floor lamp. I use my Stella floor light, but there are other lamps that also work.

As always, pay attention to your posture.

If you are right-handed, the light should come from the left. Left-handers, the light should come from the right. In both cases this keeps the shadow from your dominant hand from falling on your work, where you are trying to see what you are doing.